No one can escape rumors, but extended absences leave one
particularly vulnerable to the power of fallacies. We all spread them and hear
them about ourselves, yet they consistently vary in interpretation. You have
your Gatsby’s, for instance, who live for the mystery and love staying elusive.
They enjoy the extensive stories swirling around their name and only reveal
truths when absolutely necessary. Although you sometimes have the temptation to
hit them in the jugular, you continue to facilitate the stories and secretly
find pleasure in the drama. Whenever you feel tired of these Gatsby’s, search
for the Gabe’s in your life. He misses a few days of school for a family
vacation and suddenly our class determines he needed to fly to Mexico in order
to inspect his sector of the drug cartel. But in reality, he did not even visit
Mexico. He went to Florida. Bland ol’ Florida. Nevertheless, upon his return,
he exhibited nonchalance and did not act the least bit restrained when
clarifying the truth. Score. Our class experienced all the fun of drama and
mystery without the frustration of a character such as Gatsby. Not everyone
lucks out like first period, and the complexity of rumors never ceases to amaze
me. Any mystery or source of speculation causes rumors and gossip, so, really,
Gatsby’s reserved nature and Gabe’s vacation to “Florida” do not have too many
differences. I guess the only question that remains is when will you start
throwing the massive ragers, Gabe?
Wednesday, December 5, 2012
Wednesday, November 28, 2012
Myrtle Wilson: the Original Black Friday Enthusiast
After a day dedicated to giving thanks for one’s possessions,
Americans believe the only logical follow-up involves trampling one another in
order to nab the last marked-down Wii U on the second biggest shopping day of
the year. Although my food coma consistently prevents me from experiencing the phenomenon
of Black Friday, or anything involving movement, the affair never ceases to fascinate
me. The dedication of hardcore shoppers who wait hours on end and put
themselves in potentially life-threatening situations rivals that of Olympians,
and I cannot resist reading about the ramifications of their quests. Despite the humor these consumers provide,
the repulsion for such extreme consumerism remains. However, with some attempted
sympathy and after noting the similarities between Myrtle Wilson from The Great Gatsby and the Black Friday heroes,
I began to understand their positions. Though both the shoppers and Myrtle
appear very materialistic, their reasoning does not prove that illogical. The
shoppers wait for hours and risk harm in order to save money. Myrtle cheats on
her husband to achieve higher social status and have a wealthier life. Does
anyone disagree with wanting wealth and social promise? The paths Myrtle and
the extremist buyers take seems corrupt and excessive, their logic proves
reasonable. For instance, during Tom and Myrtle’s party, the adulteress
describes her extensive list of items she needs to purchase while with Tom
(36). The novelist presents situational irony as Myrtle generally remains
superficial, yet her decision to utilize Tom’s money, rather than her own,
remains wise, but immoral. Although I do not condone Myrtle’s behavior in
anyway, I recognize that the benefits and rewards of her risk prove worth it
for her. Both parties, Myrtle and the deal seekers, put themselves in danger in
order to achieve monetary benefits, and I have to respect their efforts. I
differ in values from them, but I, too, have made extreme sacrifices for
various items or circumstances I wanted acquire. I advocate that we all have a
bit of Myrtle and the intense consumers within ourselves, we just need to look
past our original moral judgments.
Wednesday, November 7, 2012
Pondering Purposes
For an unknown reason, my dreams become something out of a Lewis Carroll novel whenever I try to conclude a stressful day with an afternoon nap. Yesterday’s dream proved no different: my mind concocted an alternate universe in which all of the AP English 12 students lived in a small cottage on a secluded island off the coast of Australia with Ms. Serensky as our housemother. I kid you not. I could not make this up if I wanted to. In this crazy world, Ms. Serensky would leave us at home alone each day to work on our short story worksheets; however, one this particular morning, we discovered a quidditch set and decided to orchestrate a tournament rather than analyze the significance of stealing thirty Big Macs. In the midst of the first match, a man, who bared a striking resemblance to the Misfit in “Black Hearts Bleed Red,” infiltrated our home and claimed the new quidditch set as his own. In this unrealistic universe, I stood up to the man and, in return, he shot me just to gain a quaffle, two bludgers and a snitch. Although, I have to admit, the snitch seemed pretty high-quality. Obviously, I woke up extremely confused and, as Ms. Serensky has taught me, began to look for a purpose or meaning in my imagination’s creation. Although I do not possess the amazing talents of Sigmund Freud, I still managed to come up with a variety of possible meanings, yet none seemed right. I found myself further empathizing with the public in “The Balloon,” we all stand searching for something that may or may not exist. A world of conceivable answers remains, but one can never know for sure. The author of the short story, Donald Barthelme, notes “all… motions… were within one's possibilities” in regards to the citizen’s reactions, highlighting the claim that the balloon can receive many different interpretations (2). Although the narrator hints of a purpose, he never reveals the true meaning behind the balloon, just as I will never know the reasoning for my in-depth death by quidditch. Furthermore, Barthelme states that the most important result of the balloon proved what people felt standing under it (3). This declaration uncovers the writer’s assertion that our personal interpretations of the world create the vital or uneventful impact of happenings. Through these ideas, “The Balloon” exemplifies the belief that all meaning proves constructed meaning, a thought that stands central to my personal ideals. We decide what matters and we instill these items or, in my case, dreams with significance. Although I can pinpoint a variety of interpretations of my strange dream as well as Barthelme’s balloon, I will never know whether these connections proved correct or incorrect. However, these constructed purposes can still have a monumental impact on my life. Perhaps the writer did not intend the balloon as a symbol of art, this connection still allows me to evaluate the role of arts and literature in my own life and grow from that thought exchange. Moreover, if I ponder the possibility that my dream means my civic duty stands as risking my health for literature, then I can use this connection to deeply evaluate my interest in writings and how important they remain to my being. Just as Barthelme depicts the limitless understandings of an event, I affirm that every occurrence has infinite purposes. As well, I advocate that the deeper analysis and questioning of the world enhances our lives, regardless of whether our conclusion proves the “right” or “wrong” answer.
Wednesday, October 31, 2012
The Klausner Within Us All
As
I scrolled down my Twitter feed yesterday, I could resist letting out a yelp of
triumph upon reading the school cancellation announcement. However, my joy soon disintegrated as I thumbed down to the next tweet: “Death toll rises,
thousands without power.” A wave of guilt swept over me as literal waves crushed
homes just a few hours away; who knew such powerful juxtapositions existed
outside of literary world? As Hurricane Sandy tore up more and more of the
coast, my frustration increased proportionally. Reading posts about how great a
hurricane seemed solely because it caused a school cancellation proved extremely irritating,
and I found myself wanting to lash out at anyone praising the storm. But I
never did. I realized the issue and never did anything about it until it proved
too late. Consequently, while watching “the Sound Machine” today, it occurred to
me that Klausner and I share this trait. Klausner acknowledges the plants’
pain, but continues to wound them and ruins the potential of his machine before
it can truly make an impact. Moreover, I discovered a clear connection between
the unsympathetic tweeters and the doctor. Both parties realize the pain and
destruction; however, rather than acknowledging it, they choose to ignore the
damage and focus on their own lives. As much I wanted to dismiss and judge
Klausner and the doctor, I often act identically, and I assert that everyone
does. The vast majority of humans prove guilty of this apathy and society even
ignores this simple fact. Although I believe this issue necessitates amelioration,
in reality, not all aspects of it stand as detrimental. Humans have inherently
selfishness tendencies, and I believe the act of ignoring major issues exists
as just another mechanism by which people allow for their own happiness. If
everyone could feel the terrible pains of others, society would reduce to
shambles. Generally, humans have the deepest and most intense reactions to the
events that directly affect them or that they directly caused. Similarly, the
most influential of the plants’ cries proves the one Klausner internationally
generates. Yes, he sympathizes with roses cut by his neighbor, but the tree he stabs
himself evokes unavoidable guilt and devastation. Not only does Dahl’s work
highlight society’s tendencies to ignore its effects on the earth, it illuminates
the overall tendency of people to disregard other’s issues for the sake of
their own contentment. As with all generalizations, exceptions do occur, and I
believe everyone needs to become one of these exceptions in order to truly
sympathize with one’s neighbors. However, the troubles of the world recognized
by all would lead to destruction and mass devastation.
Wednesday, August 22, 2012
Insightful Olive
Books
offer readers a unique opportunity to see inside someone else’s head and live a
different life, unveiling insights one may have never considered. Such is the
case in the novel Olive Kitteridge by
award-winning author Elizabeth Strout. Strout tells the chronicle of Olive
Kitteridge through thirteen short stories focusing on various residents of
Crosby, Maine as well as Olive herself at varying ages. The tales focusing on
the Kitteridges at an older age especially resonated with me and taught me
valuable lessons. After losing both of my grandmothers, I had never taken the
time to truly comprehend their passing’s effect on my grandfathers, only how it
impacted me. Through Strout’s depiction of Olive losing her husband, Henry, I
began to genuinely understand and sympathize with my grandpas. For instance,
after Olive’s friend and widower, Jack Kennison, declares that his wife had recently
passed away, Olive states “Then, you’re in hell,” (55). Her short syntax and simple
statement evokes pathos, generating empathy from those who have lost a loved
one. Personally, Olive’s facile declaration allowed me to understand what my
grandfathers have to deal with on a daily basis: a living hell. Moreover, Olive
noted how young people do not understand that “aged… bodies were as needy as
theirs,” (270). Through this simile, Strout asserts that humans, especially the
youth, tend to forget that all people stand as equal and have the same needs,
regardless of age; we all want to love and be loved. Admittedly, I have
forgotten this more than once, but Olive’s cogitation combined with the portrayal
of her loneliness allowed me to understand how important a thought it is. Throughout
the novel, I would think back to the times where I would not stay home for a
family dinner with one of grandfathers because I had plans to hang out with my
friends and felt immense guilt. I used to treat outings with my friends as more
important, despite seeing them every day, but Olive taught me to treat those
you love equally as just that: equals. I believe Strout writes to people like me
who did not take time to fully understand the struggles of aging in order to
illustrate how much the elderly value companionship and that one should cherish
each moment spent with loved ones.
Monday, August 20, 2012
Olives Have Layers
Elizabeth Strout, a New York Times bestselling author, combines
thirteen short stories about the residents of Crosby, Maine in order to tell
the complex story of the title character in her 2008 novel, Olive Kitteridge. Written in modern-day
America, where many have questioned if society has become progressively crueler,
Strout depicts the growth of Olive Kitteridge and her struggle to overcome her
husband’s stroke. Although I sympathize with Olive, her attitude in the first
half of the novel appalled me. For instance, prior to his stroke, Henry solemnly
noted how Olive has “’never once apologized. For anything,’” (123). Henry acts
as a synecdoche of those who have experienced Olive’s cold personality and his defeated
tone, implied through his short syntax, illustrates how frustrated Olive can make
people, including her own husband. Strout evokes pathos by having Olive
discourage Henry, who people repeatedly call a “’nice man;’” readers, including
myself, who sympathize with kind, innocent men like Henry feel shocked by Olive’s
harsh treatment of him (149). She mistreats various other characters throughout
the novel’s first half; ergo, I did not feel particularly fond of Olive,
despite my extreme compassion for her struggles. However, as the novel
progressed, and especially after Henry’s stroke, Olive learned to contain her adverse
thoughts, and I began to enjoy her character more. Olive even volunteers to
help at a funeral because she knows Henry would have wanted to if he had the
ability. At the event, she offers “’Put me to work, Molly’” (167). The novelist’s
overall juxtaposition of Olive’s bossy past-self and her helpful, submissive
self illustrates her attitude shift. Although Olive did not become an instant saint
and still had negative thoughts, her efforts to act outwardly kind impressed
me. My sympathy for her remained constant throughout the novel, but my overall
opinion of Olive became progressively more positive as she began to internalize
her criticism and assist others. I advise those who dislike Olive to acknowledge
her difficult life and appreciate her efforts to become kindhearted.
Furthermore, I encourage those who found themselves relating to Olive’s actions
in the novel’s first half to mirror her attempt to increase her compassion.
Thursday, August 16, 2012
Powerful Parallels
Elizabeth
Strout tells the story of Olive and Henry Kitteridge through delicately woven chapters,
each resembling a short story, in her 2008 novel, Olive Kitteridge. Written in modern-day America where over 40% of marriages end in divorce or separation, the small tales mostly feature various relationships
in the shared the setting of Portland, Maine, a small-town similar to the one
Strout grew up in. The novelist’s reoccurring parallels between the various
chapters appeal to me due to their unique way of both telling and showing
Strout’s assertions. For instance, in “The Piano Player,” Angie O’Meara
receives a visit from her vindictive ex-boyfriend, Simon. After Simon degrades
Angie in order to compensate for his lost dreams, Angie describes his actions
as “thin milk” (58). By comparing Simon’s actions to nutritionally insufficient
thin milk, the author asserts that people rarely gain genuine salvation through
vengeful actions. Rather, one achieves a temporary satisfaction that fails to
eradicate the true source of their dismay. In the next narrative, the first of
Olive’s own stories entitled “A little Burst,” Strout reverses her narrative
position and illustrates the assaulting perspective through Olive. After her
son Christopher’s wedding, Olive overhears her new daughter-in-law, Suzanne, criticizing
her mother-in-law’s dress and the already agitated Olive reacts strongly. Olive
resolves to steal a few of Suzanne’s clothing items and draw a black streak on
Suzanne’s sweater; when looking back of her actions, Olive reckons “It does not
help much,” (73). Strout juxtaposes the two chapters in order to demonstrate
that neither side benefits from spiteful reactions, and the repetition of this
idea emphasizes the assertion’s prominence. Furthermore, Strout anticipates the
possible judgments of readers and, thus, positions Simon’s outburst prior to
Olive’s in order to prevent overzealous criticisms of Olive as almost all of
society has had a vengeful impulse. Although I believe these kneejerk reactions
often prove unpreventable, I encourage excessively hostile readers to recognize
the uselessness of their actions. Moreover, I advise victims to acknowledge
instances where they have done the victimizing and understand the trivial nature
of their assailant’s actions.
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